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Schubert - Drei Klavierstucke, Sonata D960 - Paul Badura-Skoda (2012) [FLAC]

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Description

 							
  
 
http://www.genuin.de/en/04_d.php?k=254
  
  Paul Badura-Skoda plays Franz Schubert
  
 
Label:Genuin
  Catalogue No:GEN12251
  Discs:2
  Release date:2nd Sept 2013
  Length:2 hours 23
minutes
  Medium:CD
  
  Paul Badura-Skoda plays Franz Schubert
  
  Schubert: Klavierstücke
(3), D946
  Conrad Graf fortepiano (c. 1826)
  Piano Sonata No. 21 in B flat major, D960
  Conrad Graf
fortepiano (c. 1826)
  Piano Sonata No. 21 in B flat major, D960
  Steinway No. 569686 (2004)
  Piano
Sonata No. 21 in B flat major, D960
  Bösendorfer No. 23274 (1923)
  Paul Badura-Skoda 
  
 
Here, 85-year-old Austrian pianist Paul Badura-Skoda offers no fewer than three complete recordings of the Schubert
Piano Sonata in B flat major, D. 960, with the Drei Klavierstücke, D. 946, as a curtain raiser. The three versions
are played on three different pianos, a Graf fortepiano of 1826, a modern Steinway, and a 1923 Bösendorfer that for
piano buffs may be worth the price of admission to this two-CD set. It's an exceptionally warm, mellow instrument, and
Badura-Skoda crafts an interpretation to match it. You might think that this effort represents a rumination on the
virtues and disadvantages of historical instruments from Badura-Skoda after his long career, but in fact that doesn't
seem to be what he has in mind. He writes in his own notes that it is "simply because of the uniqueness of this sonata.
It transcends the nature of the piano: even the best instrument (played with authority) cannot give full justice to its
meaning, but each one brings different facets to the fore." Badura-Skoda essentially offers three quite different
readings of the work, which is quite an ambitious undertaking for a pianist of any age. The starting points are 1) for
the 1824 piano the small motivic details that tend to get lost on a modern grand (sample the remarkable passage leading
to the recapitulation in the first movement); 2) for the Steinway the sheer technical difficulty of the sonata; and 3)
for the Bösendorfer the warm but melancholy Brahmsian lyricism. It's a unique project, perhaps not one that belongs
in every library, but certainly worthwhile for anyone deeply immersed in Schubert, or in Badura-Skoda's
recordings.
  
   						

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